Nuemann TLM Condensor Microphone Collection

Neumann TLM 102 Transformerless Cardioid Condenser Microphone at a Glance:

• A great way to naturally sweeten vocals
• Tiny condenser with massive versatility
• TLM technology means low noise and high clarity

A great way to naturally sweeten vocals
Up to 6kHz the frequency response of the TLM 102 extremely linear. But just after 6kHz, Neumann built in a slight boost to bolster the presence of the voice. This characteristic adds a quality often called "sweetness" to vocals that makes them jump out in the mix. The extra smoothness tends to enhance vocals by smoothing out a highly audible frequency range and adds some extra dimension to spoken recordings. The small stature of the TLM 102 is also a major asset in applications where maintaining a clear line of sight between the vocalist and the control room or or band is a priority.

Tiny condenser with massive versatility
The TLM 102 has an extremely flexible field of application and is affordable enough to find a place in professional and project studios alike, as well as in broadcast and live sound. Its largely linear frequency response extends across the audible spectrum from 20Hz to 20kHz. Since it doesn't take up as much space as a typical large-diaphragm condenser, it is easy to position the TLM 102 in front of guitar cabinets or use it as a drum mic. And there's no need to worry about high SPLs — the TLM 102 can easily handle up to 144dB, so loud sound sources are not off limits.

TLM technology means low noise and high clarity
The letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. TLM technology ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. The capsule's built-in elastic suspension mechanism and pop screen in the TLM 102 also further diminish the noise of handling and use.

Neumann TLM 102 Transformerless Cardioid Condenser Microphone Features:

• Maximum 144dB maximum SPL
• Cardioid pickup pattern
• 20Hz - 20kHz frequency range
• 132dB dynamic range
• 50-ohm impedance
• Weight: approximately 260g
• Diameter: 52mm
• Length: 116mm
• Requires +48V phantom power

THE NEW STANDARD INTRODUCED

in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic tapered headgrille design gives the TLM 103 a distinct Neumann look.

The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.

TECHNICAL EXCELLENCE

The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.

As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels.

APPLICATIONS

The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass.

• Large diaphragm capsule derived from the classic U 87 microphone
• Balanced sound with enhanced presence
• Cardioid pattern
• Transformerless circuitry with high SPL capability
• Extremely low self-noise: only 7 dB-A

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